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Automation Risk Analysis

Will “Disc Recordist” be Automated?

Historical Context: Oxford Study (2013)

Ranked #187 of 702. Estimated risk: 13.0%

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AI Exposure Risk

51%

“Disc Recordist” will maybe be replaced by AI.

Based on the cognitive demands, communication requirements, and logical reasoning intrinsic to this occupation according to O*NET data, we project a 51% probability of disruption by generative AI and Large Language Models.

Automation & Robot Risk

45%

“Disc Recordist” will probably not be replaced by robots.

Evaluating the physical dexterity, repetitive motion tasks, and manual labor associated with this role, our analysis indicates a 45% likelihood of substitution by advanced robotics systems.

Personal & Financial Insights

Every occupation has a unique profile. For Sound Engineering Technicians, the Bureau of Labor Statistics and O*NET classify the day-to-day work broadly as: Assemble and operate equipment to record, synchronize, mix, edit, or reproduce sound, including music, voices, or sound effects, for theater, video, film, television, podcasts, sporting events, and other productions.

Avg. Annual Salary $79,280
Avg. Hourly Wage $38.12
Available Jobs (US) 13,050
Job Title & Hierarchy Code (SOC) Sound Engineering Technicians #27-4014
Wage vs. National Median
ℹ️

Data is based on the reference occupation: “Sound Engineering Technicians”

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Core Skills & Abilities

  • Keep logs of recordings.

  • Tear down equipment after event completion.

  • Record speech, music, and other sounds on recording media, using recording equipment.

  • Convert video and audio recordings into digital formats for editing or archiving.

  • Mix and edit voices, music, and taped sound effects for live performances and for prerecorded events, using sound mixing boards.

  • Confer with producers, performers, and others to determine and achieve the desired sound for a production, such as a musical recording or a film.

  • Reproduce and duplicate sound recordings from original recording media, using sound editing and duplication equipment.

  • Separate instruments, vocals, and other sounds, and combine sounds during the mixing or postproduction stage.

  • Regulate volume level and sound quality during recording sessions, using control consoles.

  • Create musical instrument digital interface programs for music projects, commercials, or film postproduction.

  • Synchronize and equalize prerecorded dialogue, music, and sound effects with visual action of motion pictures or television productions, using control consoles.

  • Set up, test, and adjust recording equipment for recording sessions and live performances.

  • Prepare for recording sessions by performing such activities as selecting and setting up microphones.

  • Report equipment problems and ensure that required repairs are made.

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  • Musical instrument digital interface MIDI software
  • ElevenLabs
  • Microsoft Excel
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  • Audio mixer consoles
  • Wireless transmitters
  • Wireless microphones
  • Electret microphones
  • Dynamics processors
  • Musical instrument digital interface MIDI sequencers
  • Shelving equalizers
  • Pressure zone microphones
  • Laptop computers
  • Multitrack tape recording machines
  • Digital audio recorders
  • Audio compressors
  • Digital samplers
  • Personal computers
  • Studio intercom systems
  • Condenser microphones
  • Wireless receivers
  • Amplifiers
  • Dynamic microphones
  • Volt-ohm meters VOM
  • Parametric equalizers
  • Cable testers
  • Desktop computers
  • Noise reduction systems
  • Soldering irons
  • Peak equalizers
  • Digital oscilloscopes
  • Audio filters
  • Ribbon microphones
  • Polarity checkers
  • Channel equalizers
  • 1/3 octave equalizers
  • Reverb devices
  • Microphone pre-amps
  • Digital delay pedals