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Automation Risk Analysis

Will “Film Recordist” be Automated?

Historical Context: Oxford Study (2013)

Ranked #187 of 702. Estimated risk: 13.0%

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AI Exposure Risk

51%

“Film Recordist” will maybe be replaced by AI.

Based on the cognitive demands, communication requirements, and logical reasoning intrinsic to this occupation according to O*NET data, we project a 51% probability of disruption by generative AI and Large Language Models.

Automation & Robot Risk

45%

“Film Recordist” will probably not be replaced by robots.

Evaluating the physical dexterity, repetitive motion tasks, and manual labor associated with this role, our analysis indicates a 45% likelihood of substitution by advanced robotics systems.

Personal & Financial Insights

Every occupation has a unique profile. For Sound Engineering Technicians, the Bureau of Labor Statistics and O*NET classify the day-to-day work broadly as: Assemble and operate equipment to record, synchronize, mix, edit, or reproduce sound, including music, voices, or sound effects, for theater, video, film, television, podcasts, sporting events, and other productions.

Avg. Annual Salary $79,280
Avg. Hourly Wage $38.12
Available Jobs (US) 13,050
Job Title & Hierarchy Code (SOC) Sound Engineering Technicians #27-4014
Wage vs. National Median
ℹ️

Data is based on the reference occupation: “Sound Engineering Technicians”

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Core Skills & Abilities

  • Separate instruments, vocals, and other sounds, and combine sounds during the mixing or postproduction stage.

  • Convert video and audio recordings into digital formats for editing or archiving.

  • Prepare for recording sessions by performing such activities as selecting and setting up microphones.

  • Create musical instrument digital interface programs for music projects, commercials, or film postproduction.

  • Confer with producers, performers, and others to determine and achieve the desired sound for a production, such as a musical recording or a film.

  • Synchronize and equalize prerecorded dialogue, music, and sound effects with visual action of motion pictures or television productions, using control consoles.

  • Set up, test, and adjust recording equipment for recording sessions and live performances.

  • Report equipment problems and ensure that required repairs are made.

  • Mix and edit voices, music, and taped sound effects for live performances and for prerecorded events, using sound mixing boards.

  • Keep logs of recordings.

  • Tear down equipment after event completion.

  • Reproduce and duplicate sound recordings from original recording media, using sound editing and duplication equipment.

  • Record speech, music, and other sounds on recording media, using recording equipment.

  • Regulate volume level and sound quality during recording sessions, using control consoles.

Technologies & Software

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  • Git
  • ElevenLabs
  • LoveArt AI
  • Adobe Firefly
  • Autodesk AutoCAD
  • Audio editing software
  • IBM Middleware
  • Microsoft Windows
  • Microsoft Visio
  • Computer aided design CAD software
  • Audio compressors
  • Condenser microphones
  • Polarity checkers
  • Audio filters
  • Dynamic microphones
  • Multitrack tape recording machines
  • Microphone pre-amps
  • Wireless receivers
  • Reverb devices
  • Wireless microphones
  • Parametric equalizers
  • Ribbon microphones
  • Soldering irons
  • Peak equalizers
  • Channel equalizers
  • Noise reduction systems
  • Digital audio recorders
  • Pressure zone microphones
  • Musical instrument digital interface MIDI sequencers
  • Shelving equalizers
  • Dynamics processors
  • 1/3 octave equalizers
  • Laptop computers
  • Electret microphones
  • Amplifiers
  • Cable testers
  • Audio mixer consoles
  • Desktop computers
  • Studio intercom systems
  • Volt-ohm meters VOM
  • Personal computers
  • Wireless transmitters
  • Digital delay pedals
  • Digital oscilloscopes
  • Digital samplers