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Automation Risk Analysis

Will “Sound Cutter” be Automated?

Historical Context: Oxford Study (2013)

Ranked #187 of 702. Estimated risk: 13.0%

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AI Exposure Risk

51%

“Sound Cutter” will maybe be replaced by AI.

Based on the cognitive demands, communication requirements, and logical reasoning intrinsic to this occupation according to O*NET data, we project a 51% probability of disruption by generative AI and Large Language Models.

Automation & Robot Risk

45%

“Sound Cutter” will probably not be replaced by robots.

Evaluating the physical dexterity, repetitive motion tasks, and manual labor associated with this role, our analysis indicates a 45% likelihood of substitution by advanced robotics systems.

Personal & Financial Insights

Every occupation has a unique profile. For Sound Engineering Technicians, the Bureau of Labor Statistics and O*NET classify the day-to-day work broadly as: Assemble and operate equipment to record, synchronize, mix, edit, or reproduce sound, including music, voices, or sound effects, for theater, video, film, television, podcasts, sporting events, and other productions.

Avg. Annual Salary $79,280
Avg. Hourly Wage $38.12
Available Jobs (US) 13,050
Job Title & Hierarchy Code (SOC) Sound Engineering Technicians #27-4014
Wage vs. National Median
ℹ️

Data is based on the reference occupation: “Sound Engineering Technicians”

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Core Skills & Abilities

  • Keep logs of recordings.

  • Record speech, music, and other sounds on recording media, using recording equipment.

  • Mix and edit voices, music, and taped sound effects for live performances and for prerecorded events, using sound mixing boards.

  • Set up, test, and adjust recording equipment for recording sessions and live performances.

  • Prepare for recording sessions by performing such activities as selecting and setting up microphones.

  • Reproduce and duplicate sound recordings from original recording media, using sound editing and duplication equipment.

  • Report equipment problems and ensure that required repairs are made.

  • Regulate volume level and sound quality during recording sessions, using control consoles.

  • Tear down equipment after event completion.

  • Create musical instrument digital interface programs for music projects, commercials, or film postproduction.

  • Convert video and audio recordings into digital formats for editing or archiving.

  • Synchronize and equalize prerecorded dialogue, music, and sound effects with visual action of motion pictures or television productions, using control consoles.

  • Separate instruments, vocals, and other sounds, and combine sounds during the mixing or postproduction stage.

  • Confer with producers, performers, and others to determine and achieve the desired sound for a production, such as a musical recording or a film.

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  • Musical instrument digital interface MIDI software
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  • Avid Technology audio visual editing software
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  • Audio editing software
  • Microsoft Word
  • Adobe Creative Cloud software
  • Adobe Acrobat
  • Kimi (Moonshot AI)
  • Recraft
  • IBM Middleware
  • ElevenLabs
  • Adobe Firefly
  • Cable testers
  • Wireless receivers
  • Ribbon microphones
  • Studio intercom systems
  • Condenser microphones
  • Noise reduction systems
  • Desktop computers
  • Audio mixer consoles
  • Digital samplers
  • Shelving equalizers
  • Audio compressors
  • Volt-ohm meters VOM
  • Pressure zone microphones
  • Musical instrument digital interface MIDI sequencers
  • Reverb devices
  • Soldering irons
  • Audio filters
  • Amplifiers
  • Dynamics processors
  • Laptop computers
  • 1/3 octave equalizers
  • Digital oscilloscopes
  • Microphone pre-amps
  • Parametric equalizers
  • Peak equalizers
  • Multitrack tape recording machines
  • Wireless transmitters
  • Digital audio recorders
  • Personal computers
  • Dynamic microphones
  • Polarity checkers
  • Electret microphones
  • Channel equalizers
  • Digital delay pedals
  • Wireless microphones