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Automation Risk Analysis

Will “Sound Cutter” be Automated?

Historical Context: Oxford Study (2013)

Ranked #187 of 702. Estimated risk: 13.0%

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AI Exposure Risk

51%

“Sound Cutter” will maybe be replaced by AI.

Based on the cognitive demands, communication requirements, and logical reasoning intrinsic to this occupation according to O*NET data, we project a 51% probability of disruption by generative AI and Large Language Models.

Automation & Robot Risk

45%

“Sound Cutter” will probably not be replaced by robots.

Evaluating the physical dexterity, repetitive motion tasks, and manual labor associated with this role, our analysis indicates a 45% likelihood of substitution by advanced robotics systems.

Personal & Financial Insights

Every occupation has a unique profile. For Sound Engineering Technicians, the Bureau of Labor Statistics and O*NET classify the day-to-day work broadly as: Assemble and operate equipment to record, synchronize, mix, edit, or reproduce sound, including music, voices, or sound effects, for theater, video, film, television, podcasts, sporting events, and other productions.

Avg. Annual Salary $79,280
Avg. Hourly Wage $38.12
Available Jobs (US) 13,050
Job Title & Hierarchy Code (SOC) Sound Engineering Technicians #27-4014
Wage vs. National Median
ℹ️

Data is based on the reference occupation: “Sound Engineering Technicians”

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Core Skills & Abilities

  • Record speech, music, and other sounds on recording media, using recording equipment.

  • Synchronize and equalize prerecorded dialogue, music, and sound effects with visual action of motion pictures or television productions, using control consoles.

  • Keep logs of recordings.

  • Create musical instrument digital interface programs for music projects, commercials, or film postproduction.

  • Confer with producers, performers, and others to determine and achieve the desired sound for a production, such as a musical recording or a film.

  • Report equipment problems and ensure that required repairs are made.

  • Mix and edit voices, music, and taped sound effects for live performances and for prerecorded events, using sound mixing boards.

  • Convert video and audio recordings into digital formats for editing or archiving.

  • Set up, test, and adjust recording equipment for recording sessions and live performances.

  • Regulate volume level and sound quality during recording sessions, using control consoles.

  • Tear down equipment after event completion.

  • Reproduce and duplicate sound recordings from original recording media, using sound editing and duplication equipment.

  • Separate instruments, vocals, and other sounds, and combine sounds during the mixing or postproduction stage.

  • Prepare for recording sessions by performing such activities as selecting and setting up microphones.

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  • Multitrack tape recording machines
  • Wireless transmitters
  • Audio mixer consoles
  • Polarity checkers
  • Electret microphones
  • Parametric equalizers
  • Condenser microphones
  • 1/3 octave equalizers
  • Audio compressors
  • Pressure zone microphones
  • Wireless receivers
  • Volt-ohm meters VOM
  • Musical instrument digital interface MIDI sequencers
  • Channel equalizers
  • Noise reduction systems
  • Audio filters
  • Ribbon microphones
  • Microphone pre-amps
  • Reverb devices
  • Cable testers
  • Desktop computers
  • Dynamics processors
  • Digital audio recorders
  • Peak equalizers
  • Digital samplers
  • Soldering irons
  • Personal computers
  • Digital oscilloscopes
  • Wireless microphones
  • Laptop computers
  • Shelving equalizers
  • Digital delay pedals
  • Amplifiers
  • Studio intercom systems
  • Dynamic microphones