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Automation Risk Analysis

Will “Public Address System Mechanic (PA System Mechanic)” be Automated?

Historical Context: Oxford Study (2013)

Ranked #187 of 702. Estimated risk: 13.0%

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AI Exposure Risk

51%

“Public Address System Mechanic (PA System Mechanic)” will maybe be replaced by AI.

Based on the cognitive demands, communication requirements, and logical reasoning intrinsic to this occupation according to O*NET data, we project a 51% probability of disruption by generative AI and Large Language Models.

Automation & Robot Risk

45%

“Public Address System Mechanic (PA System Mechanic)” will probably not be replaced by robots.

Evaluating the physical dexterity, repetitive motion tasks, and manual labor associated with this role, our analysis indicates a 45% likelihood of substitution by advanced robotics systems.

Personal & Financial Insights

Every occupation has a unique profile. For Sound Engineering Technicians, the Bureau of Labor Statistics and O*NET classify the day-to-day work broadly as: Assemble and operate equipment to record, synchronize, mix, edit, or reproduce sound, including music, voices, or sound effects, for theater, video, film, television, podcasts, sporting events, and other productions.

Avg. Annual Salary $79,280
Avg. Hourly Wage $38.12
Available Jobs (US) 13,050
Job Title & Hierarchy Code (SOC) Sound Engineering Technicians #27-4014
Wage vs. National Median
ℹ️

Data is based on the reference occupation: “Sound Engineering Technicians”

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Core Skills & Abilities

  • Keep logs of recordings.

  • Confer with producers, performers, and others to determine and achieve the desired sound for a production, such as a musical recording or a film.

  • Create musical instrument digital interface programs for music projects, commercials, or film postproduction.

  • Tear down equipment after event completion.

  • Prepare for recording sessions by performing such activities as selecting and setting up microphones.

  • Record speech, music, and other sounds on recording media, using recording equipment.

  • Set up, test, and adjust recording equipment for recording sessions and live performances.

  • Reproduce and duplicate sound recordings from original recording media, using sound editing and duplication equipment.

  • Synchronize and equalize prerecorded dialogue, music, and sound effects with visual action of motion pictures or television productions, using control consoles.

  • Mix and edit voices, music, and taped sound effects for live performances and for prerecorded events, using sound mixing boards.

  • Convert video and audio recordings into digital formats for editing or archiving.

  • Regulate volume level and sound quality during recording sessions, using control consoles.

  • Report equipment problems and ensure that required repairs are made.

  • Separate instruments, vocals, and other sounds, and combine sounds during the mixing or postproduction stage.

Technologies & Software

  • Apple Final Cut Pro
  • Adobe Audition
  • Musical instrument digital interface MIDI software
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  • Real time operating system RTOS software
  • Reverb devices
  • Audio filters
  • Studio intercom systems
  • Dynamics processors
  • Desktop computers
  • Polarity checkers
  • Shelving equalizers
  • Soldering irons
  • Dynamic microphones
  • Ribbon microphones
  • Digital delay pedals
  • Condenser microphones
  • Audio mixer consoles
  • Multitrack tape recording machines
  • Wireless transmitters
  • Wireless microphones
  • Digital samplers
  • Audio compressors
  • Volt-ohm meters VOM
  • Pressure zone microphones
  • Laptop computers
  • Peak equalizers
  • Cable testers
  • Digital oscilloscopes
  • 1/3 octave equalizers
  • Channel equalizers
  • Musical instrument digital interface MIDI sequencers
  • Parametric equalizers
  • Noise reduction systems
  • Electret microphones
  • Microphone pre-amps
  • Digital audio recorders
  • Wireless receivers
  • Amplifiers
  • Personal computers