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Automation Risk Analysis

Will “Sound Effects Technician (Sound Effects Tech)” be Automated?

Historical Context: Oxford Study (2013)

Ranked #187 of 702. Estimated risk: 13.0%

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AI Exposure Risk

51%

“Sound Effects Technician (Sound Effects Tech)” will maybe be replaced by AI.

Based on the cognitive demands, communication requirements, and logical reasoning intrinsic to this occupation according to O*NET data, we project a 51% probability of disruption by generative AI and Large Language Models.

Automation & Robot Risk

45%

“Sound Effects Technician (Sound Effects Tech)” will probably not be replaced by robots.

Evaluating the physical dexterity, repetitive motion tasks, and manual labor associated with this role, our analysis indicates a 45% likelihood of substitution by advanced robotics systems.

Personal & Financial Insights

Every occupation has a unique profile. For Sound Engineering Technicians, the Bureau of Labor Statistics and O*NET classify the day-to-day work broadly as: Assemble and operate equipment to record, synchronize, mix, edit, or reproduce sound, including music, voices, or sound effects, for theater, video, film, television, podcasts, sporting events, and other productions.

Avg. Annual Salary $79,280
Avg. Hourly Wage $38.12
Available Jobs (US) 13,050
Job Title & Hierarchy Code (SOC) Sound Engineering Technicians #27-4014
Wage vs. National Median
ℹ️

Data is based on the reference occupation: “Sound Engineering Technicians”

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Core Skills & Abilities

  • Synchronize and equalize prerecorded dialogue, music, and sound effects with visual action of motion pictures or television productions, using control consoles.

  • Keep logs of recordings.

  • Reproduce and duplicate sound recordings from original recording media, using sound editing and duplication equipment.

  • Create musical instrument digital interface programs for music projects, commercials, or film postproduction.

  • Record speech, music, and other sounds on recording media, using recording equipment.

  • Set up, test, and adjust recording equipment for recording sessions and live performances.

  • Regulate volume level and sound quality during recording sessions, using control consoles.

  • Convert video and audio recordings into digital formats for editing or archiving.

  • Report equipment problems and ensure that required repairs are made.

  • Tear down equipment after event completion.

  • Separate instruments, vocals, and other sounds, and combine sounds during the mixing or postproduction stage.

  • Prepare for recording sessions by performing such activities as selecting and setting up microphones.

  • Confer with producers, performers, and others to determine and achieve the desired sound for a production, such as a musical recording or a film.

  • Mix and edit voices, music, and taped sound effects for live performances and for prerecorded events, using sound mixing boards.

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  • UNIX
  • Perplexity AI
  • Adobe InDesign
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  • Multitrack tape recording machines
  • Digital delay pedals
  • Parametric equalizers
  • Pressure zone microphones
  • Soldering irons
  • Studio intercom systems
  • Polarity checkers
  • Dynamic microphones
  • Amplifiers
  • Desktop computers
  • Channel equalizers
  • Shelving equalizers
  • Wireless microphones
  • Cable testers
  • Peak equalizers
  • Reverb devices
  • Ribbon microphones
  • Digital samplers
  • Wireless receivers
  • Dynamics processors
  • Personal computers
  • Laptop computers
  • Electret microphones
  • Wireless transmitters
  • Microphone pre-amps
  • Audio filters
  • Digital audio recorders
  • Audio mixer consoles
  • Musical instrument digital interface MIDI sequencers
  • Condenser microphones
  • Audio compressors
  • Digital oscilloscopes
  • Volt-ohm meters VOM
  • 1/3 octave equalizers
  • Noise reduction systems