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Automation Risk Analysis

Will “Mixer Operator” be Automated?

Historical Context: Oxford Study (2013)

Ranked #407 of 702. Estimated risk: 74.0%

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AI Exposure Risk

54%

“Mixer Operator” will maybe be replaced by AI.

Based on the cognitive demands, communication requirements, and logical reasoning intrinsic to this occupation according to O*NET data, we project a 54% probability of disruption by generative AI and Large Language Models.

Automation & Robot Risk

48%

“Mixer Operator” will probably not be replaced by robots.

Evaluating the physical dexterity, repetitive motion tasks, and manual labor associated with this role, our analysis indicates a 48% likelihood of substitution by advanced robotics systems.

Personal & Financial Insights

Every occupation has a unique profile. For Broadcast Technicians, the Bureau of Labor Statistics and O*NET classify the day-to-day work broadly as: Set up, operate, and maintain the electronic equipment used to acquire, edit, and transmit audio and video for radio or television programs. Control and adjust incoming and outgoing broadcast signals to regulate sound volume, signal strength, and signal clarity. Operate satellite, microwave, or other transmitter equipment to broadcast radio or television programs.

Avg. Annual Salary $64,220
Avg. Hourly Wage $30.87
Available Jobs (US) 21,080
Job Title & Hierarchy Code (SOC) Broadcast Technicians #27-4012
Wage vs. National Median
ℹ️

Data is based on the reference occupation: “Broadcast Technicians”

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Core Skills & Abilities

  • Monitor and log transmitter readings.

  • Set up and operate portable field transmission equipment outside the studio.

  • Design and modify equipment to employer specifications.

  • Align antennae with receiving dishes to obtain the clearest signal for transmission of broadcasts from field locations.

  • Schedule programming or read television programming logs to determine which programs are to be recorded or aired.

  • Observe monitors and converse with station personnel to determine audio and video levels and to ascertain that programs are airing.

  • Control audio equipment to regulate volume and sound quality during radio and television broadcasts.

  • Edit broadcast material electronically, using computers.

  • Make commercial dubs.

  • Regulate the fidelity, brightness, and contrast of video transmissions, using video console control panels.

  • Play and record broadcast programs, using automation systems.

  • Organize recording sessions and prepare areas, such as radio booths and television stations, for recording.

  • Select sources from which programming will be received or through which programming will be transmitted.

  • Determine the number, type, and approximate location of microphones needed for best sound recording or transmission quality, and position them appropriately.

  • Report equipment problems, ensure that repairs are made, and make emergency repairs to equipment when necessary and possible.

  • Monitor strength, clarity, and reliability of incoming and outgoing signals, and adjust equipment as necessary to maintain quality broadcasts.

  • Maintain programming logs as required by station management and the Federal Communications Commission.

  • Set up, operate, and maintain broadcast station computers and networks.

  • Install broadcast equipment, troubleshoot equipment problems, and perform maintenance or minor repairs, using hand tools.

  • Give technical directions to other personnel during filming.

  • Record sound onto tape or film for radio or television, checking its quality and making adjustments where necessary.

  • Prepare reports outlining past and future programs, including content.

  • Preview scheduled programs to ensure that signals are functioning and programs are ready for transmission.

  • Substitute programs in cases where signals fail.

  • Develop employee work schedules.

  • Instruct trainees in use of television production equipment, filming of events, and copying and editing graphics or sound onto videotape.

  • Discuss production requirements with clients.

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  • Video decoder software
  • Adobe Firefly
  • Avid Technology audio visual editing software
  • Kimi (Moonshot AI)
  • ElevenLabs
  • Email software
  • Recraft
  • Audio mixer consoles
  • Spectrum analyzers
  • Modulators
  • Digital video cameras
  • Vision mixers
  • Digital video disk DVD recorders
  • Video teleconferencing systems
  • Robotic studio cameras
  • Waveform monitors
  • Disk storage systems
  • Non-linear editing systems
  • Audio patch bays
  • Studio lighting
  • Videotape machines
  • Satellite receivers
  • Video servers
  • Desktop computers
  • Network routers
  • Video patch bays
  • Master control switchers
  • Personal computers
  • Sound effect generators
  • Satellite vans
  • Signal transmitters
  • Frame synchronizers
  • Video consoles
  • Integrated receiver decoders IRD
  • Video editing equipment
  • Laptop computers
  • Digital audio recorders
  • Wired microphones
  • Vector scopes