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Automation Risk Analysis

Will “Production Technician (Production Tech)” be Automated?

Historical Context: Oxford Study (2013)

Ranked #407 of 702. Estimated risk: 74.0%

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AI Exposure Risk

54%

“Production Technician (Production Tech)” will maybe be replaced by AI.

Based on the cognitive demands, communication requirements, and logical reasoning intrinsic to this occupation according to O*NET data, we project a 54% probability of disruption by generative AI and Large Language Models.

Automation & Robot Risk

48%

“Production Technician (Production Tech)” will probably not be replaced by robots.

Evaluating the physical dexterity, repetitive motion tasks, and manual labor associated with this role, our analysis indicates a 48% likelihood of substitution by advanced robotics systems.

Personal & Financial Insights

Every occupation has a unique profile. For Broadcast Technicians, the Bureau of Labor Statistics and O*NET classify the day-to-day work broadly as: Set up, operate, and maintain the electronic equipment used to acquire, edit, and transmit audio and video for radio or television programs. Control and adjust incoming and outgoing broadcast signals to regulate sound volume, signal strength, and signal clarity. Operate satellite, microwave, or other transmitter equipment to broadcast radio or television programs.

Avg. Annual Salary $64,220
Avg. Hourly Wage $30.87
Available Jobs (US) 21,080
Job Title & Hierarchy Code (SOC) Broadcast Technicians #27-4012
Wage vs. National Median
ℹ️

Data is based on the reference occupation: “Broadcast Technicians”

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Core Skills & Abilities

  • Make commercial dubs.

  • Develop employee work schedules.

  • Select sources from which programming will be received or through which programming will be transmitted.

  • Monitor and log transmitter readings.

  • Design and modify equipment to employer specifications.

  • Preview scheduled programs to ensure that signals are functioning and programs are ready for transmission.

  • Observe monitors and converse with station personnel to determine audio and video levels and to ascertain that programs are airing.

  • Give technical directions to other personnel during filming.

  • Monitor strength, clarity, and reliability of incoming and outgoing signals, and adjust equipment as necessary to maintain quality broadcasts.

  • Instruct trainees in use of television production equipment, filming of events, and copying and editing graphics or sound onto videotape.

  • Report equipment problems, ensure that repairs are made, and make emergency repairs to equipment when necessary and possible.

  • Discuss production requirements with clients.

  • Determine the number, type, and approximate location of microphones needed for best sound recording or transmission quality, and position them appropriately.

  • Record sound onto tape or film for radio or television, checking its quality and making adjustments where necessary.

  • Edit broadcast material electronically, using computers.

  • Regulate the fidelity, brightness, and contrast of video transmissions, using video console control panels.

  • Schedule programming or read television programming logs to determine which programs are to be recorded or aired.

  • Organize recording sessions and prepare areas, such as radio booths and television stations, for recording.

  • Set up and operate portable field transmission equipment outside the studio.

  • Set up, operate, and maintain broadcast station computers and networks.

  • Control audio equipment to regulate volume and sound quality during radio and television broadcasts.

  • Play and record broadcast programs, using automation systems.

  • Maintain programming logs as required by station management and the Federal Communications Commission.

  • Prepare reports outlining past and future programs, including content.

  • Align antennae with receiving dishes to obtain the clearest signal for transmission of broadcasts from field locations.

  • Install broadcast equipment, troubleshoot equipment problems, and perform maintenance or minor repairs, using hand tools.

  • Substitute programs in cases where signals fail.

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  • Adobe Firefly
  • Microsoft PowerPoint
  • Midjourney
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  • Udio
  • ElevenLabs
  • DeepSeek
  • UNIX
  • Adobe Photoshop
  • Dassault Systemes CATIA
  • Adobe Illustrator
  • Microsoft Outlook
  • Microsoft Excel
  • Apple Final Cut Pro
  • Perplexity AI
  • Cisco IOS
  • DALL-E 3 (OpenAI)
  • Recraft
  • Suno AI
  • Adobe Premiere Pro
  • Grok (xAI)
  • Email software
  • Mistral (Mistral AI)
  • Video encoder software
  • Video decoder software
  • Word processing software
  • Gemini for Workspace
  • Llama (Meta)
  • Avid Technology audio visual editing software
  • Frame synchronizers
  • Video editing equipment
  • Spectrum analyzers
  • Video teleconferencing systems
  • Satellite receivers
  • Videotape machines
  • Audio patch bays
  • Audio mixer consoles
  • Vector scopes
  • Studio lighting
  • Video servers
  • Video consoles
  • Desktop computers
  • Video patch bays
  • Sound effect generators
  • Signal transmitters
  • Robotic studio cameras
  • Digital video cameras
  • Master control switchers
  • Integrated receiver decoders IRD
  • Wired microphones
  • Vision mixers
  • Waveform monitors
  • Satellite vans
  • Non-linear editing systems
  • Digital audio recorders
  • Modulators
  • Personal computers
  • Laptop computers
  • Disk storage systems
  • Network routers
  • Digital video disk DVD recorders