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Automation Risk Analysis

Will “Production Technician (Production Tech)” be Automated?

Historical Context: Oxford Study (2013)

Ranked #407 of 702. Estimated risk: 74.0%

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AI Exposure Risk

54%

“Production Technician (Production Tech)” will maybe be replaced by AI.

Based on the cognitive demands, communication requirements, and logical reasoning intrinsic to this occupation according to O*NET data, we project a 54% probability of disruption by generative AI and Large Language Models.

Automation & Robot Risk

48%

“Production Technician (Production Tech)” will probably not be replaced by robots.

Evaluating the physical dexterity, repetitive motion tasks, and manual labor associated with this role, our analysis indicates a 48% likelihood of substitution by advanced robotics systems.

Personal & Financial Insights

Every occupation has a unique profile. For Broadcast Technicians, the Bureau of Labor Statistics and O*NET classify the day-to-day work broadly as: Set up, operate, and maintain the electronic equipment used to acquire, edit, and transmit audio and video for radio or television programs. Control and adjust incoming and outgoing broadcast signals to regulate sound volume, signal strength, and signal clarity. Operate satellite, microwave, or other transmitter equipment to broadcast radio or television programs.

Avg. Annual Salary $64,220
Avg. Hourly Wage $30.87
Available Jobs (US) 21,080
Job Title & Hierarchy Code (SOC) Broadcast Technicians #27-4012
Wage vs. National Median
ℹ️

Data is based on the reference occupation: “Broadcast Technicians”

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Core Skills & Abilities

  • Play and record broadcast programs, using automation systems.

  • Install broadcast equipment, troubleshoot equipment problems, and perform maintenance or minor repairs, using hand tools.

  • Regulate the fidelity, brightness, and contrast of video transmissions, using video console control panels.

  • Schedule programming or read television programming logs to determine which programs are to be recorded or aired.

  • Monitor strength, clarity, and reliability of incoming and outgoing signals, and adjust equipment as necessary to maintain quality broadcasts.

  • Prepare reports outlining past and future programs, including content.

  • Make commercial dubs.

  • Select sources from which programming will be received or through which programming will be transmitted.

  • Give technical directions to other personnel during filming.

  • Maintain programming logs as required by station management and the Federal Communications Commission.

  • Observe monitors and converse with station personnel to determine audio and video levels and to ascertain that programs are airing.

  • Control audio equipment to regulate volume and sound quality during radio and television broadcasts.

  • Report equipment problems, ensure that repairs are made, and make emergency repairs to equipment when necessary and possible.

  • Design and modify equipment to employer specifications.

  • Edit broadcast material electronically, using computers.

  • Instruct trainees in use of television production equipment, filming of events, and copying and editing graphics or sound onto videotape.

  • Monitor and log transmitter readings.

  • Set up, operate, and maintain broadcast station computers and networks.

  • Preview scheduled programs to ensure that signals are functioning and programs are ready for transmission.

  • Record sound onto tape or film for radio or television, checking its quality and making adjustments where necessary.

  • Develop employee work schedules.

  • Determine the number, type, and approximate location of microphones needed for best sound recording or transmission quality, and position them appropriately.

  • Substitute programs in cases where signals fail.

  • Align antennae with receiving dishes to obtain the clearest signal for transmission of broadcasts from field locations.

  • Organize recording sessions and prepare areas, such as radio booths and television stations, for recording.

  • Discuss production requirements with clients.

  • Set up and operate portable field transmission equipment outside the studio.

Technologies & Software

  • Adobe Audition
  • Avid Technology audio visual editing software
  • Gemini for Workspace
  • Character generator software
  • Adobe After Effects
  • Video encoder software
  • Microsoft Excel
  • Sora (OpenAI)
  • ElevenLabs
  • DeepSeek
  • CapCut AI
  • Napkin AI
  • Microsoft Word
  • Adobe Photoshop
  • Nova (Amazon)
  • Gemini (Google)
  • Runway ML
  • Adobe Firefly
  • Claude (Anthropic)
  • Adobe Illustrator
  • Cisco IOS
  • Kimi (Moonshot AI)
  • Video decoder software
  • Linux
  • DALL-E 3 (OpenAI)
  • Grok (xAI)
  • Adobe InDesign
  • Adobe Premiere Pro
  • Microsoft Outlook
  • UNIX
  • Recraft
  • Dassault Systemes CATIA
  • Microsoft Windows
  • Udio
  • Perplexity AI
  • Email software
  • Apple Final Cut Pro
  • Microsoft PowerPoint
  • Mistral (Mistral AI)
  • Suno AI
  • Midjourney
  • Word processing software
  • LoveArt AI
  • Microsoft Office software
  • Qwen (Alibaba)
  • ChatGPT (OpenAI)
  • Llama (Meta)
  • Autodesk AutoCAD
  • Signal transmitters
  • Frame synchronizers
  • Satellite receivers
  • Disk storage systems
  • Videotape machines
  • Wired microphones
  • Video teleconferencing systems
  • Audio mixer consoles
  • Network routers
  • Personal computers
  • Modulators
  • Non-linear editing systems
  • Video consoles
  • Vector scopes
  • Waveform monitors
  • Digital video disk DVD recorders
  • Audio patch bays
  • Laptop computers
  • Video servers
  • Master control switchers
  • Vision mixers
  • Integrated receiver decoders IRD
  • Satellite vans
  • Desktop computers
  • Video editing equipment
  • Video patch bays
  • Studio lighting
  • Digital audio recorders
  • Spectrum analyzers
  • Sound effect generators
  • Robotic studio cameras
  • Digital video cameras