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Automation Risk Analysis

Will “Telecasting Technician” be Automated?

Historical Context: Oxford Study (2013)

Ranked #407 of 702. Estimated risk: 74.0%

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AI Exposure Risk

54%

“Telecasting Technician” will maybe be replaced by AI.

Based on the cognitive demands, communication requirements, and logical reasoning intrinsic to this occupation according to O*NET data, we project a 54% probability of disruption by generative AI and Large Language Models.

Automation & Robot Risk

48%

“Telecasting Technician” will probably not be replaced by robots.

Evaluating the physical dexterity, repetitive motion tasks, and manual labor associated with this role, our analysis indicates a 48% likelihood of substitution by advanced robotics systems.

Personal & Financial Insights

Every occupation has a unique profile. For Broadcast Technicians, the Bureau of Labor Statistics and O*NET classify the day-to-day work broadly as: Set up, operate, and maintain the electronic equipment used to acquire, edit, and transmit audio and video for radio or television programs. Control and adjust incoming and outgoing broadcast signals to regulate sound volume, signal strength, and signal clarity. Operate satellite, microwave, or other transmitter equipment to broadcast radio or television programs.

Avg. Annual Salary $64,220
Avg. Hourly Wage $30.87
Available Jobs (US) 21,080
Job Title & Hierarchy Code (SOC) Broadcast Technicians #27-4012
Wage vs. National Median
ℹ️

Data is based on the reference occupation: “Broadcast Technicians”

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Core Skills & Abilities

  • Record sound onto tape or film for radio or television, checking its quality and making adjustments where necessary.

  • Set up and operate portable field transmission equipment outside the studio.

  • Give technical directions to other personnel during filming.

  • Substitute programs in cases where signals fail.

  • Preview scheduled programs to ensure that signals are functioning and programs are ready for transmission.

  • Monitor and log transmitter readings.

  • Align antennae with receiving dishes to obtain the clearest signal for transmission of broadcasts from field locations.

  • Maintain programming logs as required by station management and the Federal Communications Commission.

  • Design and modify equipment to employer specifications.

  • Regulate the fidelity, brightness, and contrast of video transmissions, using video console control panels.

  • Organize recording sessions and prepare areas, such as radio booths and television stations, for recording.

  • Play and record broadcast programs, using automation systems.

  • Monitor strength, clarity, and reliability of incoming and outgoing signals, and adjust equipment as necessary to maintain quality broadcasts.

  • Make commercial dubs.

  • Edit broadcast material electronically, using computers.

  • Develop employee work schedules.

  • Determine the number, type, and approximate location of microphones needed for best sound recording or transmission quality, and position them appropriately.

  • Control audio equipment to regulate volume and sound quality during radio and television broadcasts.

  • Prepare reports outlining past and future programs, including content.

  • Select sources from which programming will be received or through which programming will be transmitted.

  • Install broadcast equipment, troubleshoot equipment problems, and perform maintenance or minor repairs, using hand tools.

  • Report equipment problems, ensure that repairs are made, and make emergency repairs to equipment when necessary and possible.

  • Schedule programming or read television programming logs to determine which programs are to be recorded or aired.

  • Observe monitors and converse with station personnel to determine audio and video levels and to ascertain that programs are airing.

  • Set up, operate, and maintain broadcast station computers and networks.

  • Instruct trainees in use of television production equipment, filming of events, and copying and editing graphics or sound onto videotape.

  • Discuss production requirements with clients.

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  • Mistral (Mistral AI)
  • Cisco IOS
  • Microsoft Windows
  • DALL-E 3 (OpenAI)
  • Perplexity AI
  • Dassault Systemes CATIA
  • Video encoder software
  • Adobe Audition
  • Microsoft Office software
  • Adobe InDesign
  • Udio
  • Recraft
  • Apple Final Cut Pro
  • UNIX
  • Avid Technology audio visual editing software
  • Nova (Amazon)
  • Linux
  • Microsoft Outlook
  • Kimi (Moonshot AI)
  • DeepSeek
  • Claude (Anthropic)
  • Character generator software
  • CapCut AI
  • Adobe After Effects
  • Adobe Photoshop
  • Adobe Firefly
  • Adobe Illustrator
  • Adobe Premiere Pro
  • ChatGPT (OpenAI)
  • Llama (Meta)
  • Microsoft PowerPoint
  • Word processing software
  • Video decoder software
  • Vector scopes
  • Waveform monitors
  • Studio lighting
  • Robotic studio cameras
  • Desktop computers
  • Video editing equipment
  • Digital video disk DVD recorders
  • Audio patch bays
  • Sound effect generators
  • Videotape machines
  • Video servers
  • Vision mixers
  • Laptop computers
  • Digital video cameras
  • Disk storage systems
  • Audio mixer consoles
  • Satellite vans
  • Spectrum analyzers
  • Video teleconferencing systems
  • Video patch bays
  • Frame synchronizers
  • Network routers
  • Signal transmitters
  • Integrated receiver decoders IRD
  • Video consoles
  • Master control switchers
  • Non-linear editing systems
  • Digital audio recorders
  • Wired microphones
  • Personal computers
  • Modulators
  • Satellite receivers