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Automation Risk Analysis

Will “Sound Effects Technician” be Automated?

Historical Context: Oxford Study (2013)

Ranked #407 of 702. Estimated risk: 74.0%

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AI Exposure Risk

54%

“Sound Effects Technician” will maybe be replaced by AI.

Based on the cognitive demands, communication requirements, and logical reasoning intrinsic to this occupation according to O*NET data, we project a 54% probability of disruption by generative AI and Large Language Models.

Automation & Robot Risk

48%

“Sound Effects Technician” will probably not be replaced by robots.

Evaluating the physical dexterity, repetitive motion tasks, and manual labor associated with this role, our analysis indicates a 48% likelihood of substitution by advanced robotics systems.

Personal & Financial Insights

Every occupation has a unique profile. For Broadcast Technicians, the Bureau of Labor Statistics and O*NET classify the day-to-day work broadly as: Set up, operate, and maintain the electronic equipment used to acquire, edit, and transmit audio and video for radio or television programs. Control and adjust incoming and outgoing broadcast signals to regulate sound volume, signal strength, and signal clarity. Operate satellite, microwave, or other transmitter equipment to broadcast radio or television programs.

Avg. Annual Salary $64,220
Avg. Hourly Wage $30.87
Available Jobs (US) 21,080
Job Title & Hierarchy Code (SOC) Broadcast Technicians #27-4012
Wage vs. National Median
ℹ️

Data is based on the reference occupation: “Broadcast Technicians”

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Core Skills & Abilities

  • Edit broadcast material electronically, using computers.

  • Schedule programming or read television programming logs to determine which programs are to be recorded or aired.

  • Observe monitors and converse with station personnel to determine audio and video levels and to ascertain that programs are airing.

  • Organize recording sessions and prepare areas, such as radio booths and television stations, for recording.

  • Set up, operate, and maintain broadcast station computers and networks.

  • Install broadcast equipment, troubleshoot equipment problems, and perform maintenance or minor repairs, using hand tools.

  • Report equipment problems, ensure that repairs are made, and make emergency repairs to equipment when necessary and possible.

  • Monitor strength, clarity, and reliability of incoming and outgoing signals, and adjust equipment as necessary to maintain quality broadcasts.

  • Set up and operate portable field transmission equipment outside the studio.

  • Determine the number, type, and approximate location of microphones needed for best sound recording or transmission quality, and position them appropriately.

  • Prepare reports outlining past and future programs, including content.

  • Maintain programming logs as required by station management and the Federal Communications Commission.

  • Make commercial dubs.

  • Monitor and log transmitter readings.

  • Substitute programs in cases where signals fail.

  • Control audio equipment to regulate volume and sound quality during radio and television broadcasts.

  • Develop employee work schedules.

  • Align antennae with receiving dishes to obtain the clearest signal for transmission of broadcasts from field locations.

  • Give technical directions to other personnel during filming.

  • Discuss production requirements with clients.

  • Design and modify equipment to employer specifications.

  • Preview scheduled programs to ensure that signals are functioning and programs are ready for transmission.

  • Instruct trainees in use of television production equipment, filming of events, and copying and editing graphics or sound onto videotape.

  • Play and record broadcast programs, using automation systems.

  • Regulate the fidelity, brightness, and contrast of video transmissions, using video console control panels.

  • Record sound onto tape or film for radio or television, checking its quality and making adjustments where necessary.

  • Select sources from which programming will be received or through which programming will be transmitted.

Technologies & Software

  • Napkin AI
  • Udio
  • ElevenLabs
  • CapCut AI
  • Sora (OpenAI)
  • UNIX
  • Mistral (Mistral AI)
  • Word processing software
  • Video encoder software
  • Avid Technology audio visual editing software
  • Microsoft PowerPoint
  • Adobe InDesign
  • Adobe Illustrator
  • Suno AI
  • Grok (xAI)
  • Claude (Anthropic)
  • Recraft
  • Autodesk AutoCAD
  • Microsoft Excel
  • Adobe Photoshop
  • Microsoft Windows
  • Microsoft Word
  • Dassault Systemes CATIA
  • DALL-E 3 (OpenAI)
  • Runway ML
  • ChatGPT (OpenAI)
  • DeepSeek
  • Nova (Amazon)
  • Perplexity AI
  • Gemini (Google)
  • Qwen (Alibaba)
  • Linux
  • Adobe Premiere Pro
  • Midjourney
  • Character generator software
  • Gemini for Workspace
  • Adobe Firefly
  • Video decoder software
  • Adobe After Effects
  • Cisco IOS
  • Microsoft Office software
  • Microsoft Outlook
  • Adobe Audition
  • Email software
  • Kimi (Moonshot AI)
  • LoveArt AI
  • Llama (Meta)
  • Apple Final Cut Pro
  • Non-linear editing systems
  • Video servers
  • Signal transmitters
  • Studio lighting
  • Spectrum analyzers
  • Master control switchers
  • Satellite vans
  • Video editing equipment
  • Digital audio recorders
  • Wired microphones
  • Desktop computers
  • Personal computers
  • Robotic studio cameras
  • Frame synchronizers
  • Disk storage systems
  • Digital video cameras
  • Digital video disk DVD recorders
  • Sound effect generators
  • Vector scopes
  • Modulators
  • Integrated receiver decoders IRD
  • Video patch bays
  • Video teleconferencing systems
  • Vision mixers
  • Video consoles
  • Laptop computers
  • Audio patch bays
  • Videotape machines
  • Satellite receivers
  • Network routers
  • Audio mixer consoles
  • Waveform monitors