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Automation Risk Analysis

Will “Radio Station Audio Engineer” be Automated?

Historical Context: Oxford Study (2013)

Ranked #407 of 702. Estimated risk: 74.0%

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AI Exposure Risk

54%

“Radio Station Audio Engineer” will maybe be replaced by AI.

Based on the cognitive demands, communication requirements, and logical reasoning intrinsic to this occupation according to O*NET data, we project a 54% probability of disruption by generative AI and Large Language Models.

Automation & Robot Risk

48%

“Radio Station Audio Engineer” will probably not be replaced by robots.

Evaluating the physical dexterity, repetitive motion tasks, and manual labor associated with this role, our analysis indicates a 48% likelihood of substitution by advanced robotics systems.

Personal & Financial Insights

Every occupation has a unique profile. For Broadcast Technicians, the Bureau of Labor Statistics and O*NET classify the day-to-day work broadly as: Set up, operate, and maintain the electronic equipment used to acquire, edit, and transmit audio and video for radio or television programs. Control and adjust incoming and outgoing broadcast signals to regulate sound volume, signal strength, and signal clarity. Operate satellite, microwave, or other transmitter equipment to broadcast radio or television programs.

Avg. Annual Salary $64,220
Avg. Hourly Wage $30.87
Available Jobs (US) 21,080
Job Title & Hierarchy Code (SOC) Broadcast Technicians #27-4012
Wage vs. National Median
ℹ️

Data is based on the reference occupation: “Broadcast Technicians”

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Core Skills & Abilities

  • Organize recording sessions and prepare areas, such as radio booths and television stations, for recording.

  • Instruct trainees in use of television production equipment, filming of events, and copying and editing graphics or sound onto videotape.

  • Give technical directions to other personnel during filming.

  • Determine the number, type, and approximate location of microphones needed for best sound recording or transmission quality, and position them appropriately.

  • Record sound onto tape or film for radio or television, checking its quality and making adjustments where necessary.

  • Substitute programs in cases where signals fail.

  • Discuss production requirements with clients.

  • Align antennae with receiving dishes to obtain the clearest signal for transmission of broadcasts from field locations.

  • Preview scheduled programs to ensure that signals are functioning and programs are ready for transmission.

  • Monitor and log transmitter readings.

  • Control audio equipment to regulate volume and sound quality during radio and television broadcasts.

  • Design and modify equipment to employer specifications.

  • Monitor strength, clarity, and reliability of incoming and outgoing signals, and adjust equipment as necessary to maintain quality broadcasts.

  • Schedule programming or read television programming logs to determine which programs are to be recorded or aired.

  • Set up, operate, and maintain broadcast station computers and networks.

  • Install broadcast equipment, troubleshoot equipment problems, and perform maintenance or minor repairs, using hand tools.

  • Prepare reports outlining past and future programs, including content.

  • Play and record broadcast programs, using automation systems.

  • Set up and operate portable field transmission equipment outside the studio.

  • Edit broadcast material electronically, using computers.

  • Select sources from which programming will be received or through which programming will be transmitted.

  • Report equipment problems, ensure that repairs are made, and make emergency repairs to equipment when necessary and possible.

  • Observe monitors and converse with station personnel to determine audio and video levels and to ascertain that programs are airing.

  • Develop employee work schedules.

  • Regulate the fidelity, brightness, and contrast of video transmissions, using video console control panels.

  • Make commercial dubs.

  • Maintain programming logs as required by station management and the Federal Communications Commission.

Technologies & Software

  • Apple Final Cut Pro
  • Microsoft Outlook
  • Sora (OpenAI)
  • Microsoft Excel
  • Midjourney
  • Video encoder software
  • Runway ML
  • Nova (Amazon)
  • Dassault Systemes CATIA
  • Mistral (Mistral AI)
  • UNIX
  • Microsoft PowerPoint
  • CapCut AI
  • Recraft
  • ElevenLabs
  • Gemini (Google)
  • Grok (xAI)
  • Kimi (Moonshot AI)
  • Character generator software
  • Adobe Premiere Pro
  • Avid Technology audio visual editing software
  • Word processing software
  • Autodesk AutoCAD
  • Llama (Meta)
  • Cisco IOS
  • LoveArt AI
  • Microsoft Word
  • Udio
  • Adobe Photoshop
  • Video decoder software
  • ChatGPT (OpenAI)
  • Microsoft Office software
  • Email software
  • Adobe After Effects
  • Adobe Illustrator
  • DeepSeek
  • Perplexity AI
  • Gemini for Workspace
  • Suno AI
  • DALL-E 3 (OpenAI)
  • Qwen (Alibaba)
  • Adobe Audition
  • Adobe Firefly
  • Claude (Anthropic)
  • Adobe InDesign
  • Microsoft Windows
  • Linux
  • Napkin AI
  • Vision mixers
  • Sound effect generators
  • Videotape machines
  • Digital video disk DVD recorders
  • Laptop computers
  • Robotic studio cameras
  • Digital audio recorders
  • Vector scopes
  • Audio mixer consoles
  • Digital video cameras
  • Video editing equipment
  • Wired microphones
  • Modulators
  • Satellite vans
  • Audio patch bays
  • Non-linear editing systems
  • Disk storage systems
  • Frame synchronizers
  • Waveform monitors
  • Desktop computers
  • Network routers
  • Integrated receiver decoders IRD
  • Personal computers
  • Video patch bays
  • Spectrum analyzers
  • Video servers
  • Signal transmitters
  • Video consoles
  • Video teleconferencing systems
  • Studio lighting
  • Master control switchers
  • Satellite receivers