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Automation Risk Analysis

Will “Radio Station Audio Engineer” be Automated?

Historical Context: Oxford Study (2013)

Ranked #407 of 702. Estimated risk: 74.0%

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AI Exposure Risk

54%

“Radio Station Audio Engineer” will maybe be replaced by AI.

Based on the cognitive demands, communication requirements, and logical reasoning intrinsic to this occupation according to O*NET data, we project a 54% probability of disruption by generative AI and Large Language Models.

Automation & Robot Risk

48%

“Radio Station Audio Engineer” will probably not be replaced by robots.

Evaluating the physical dexterity, repetitive motion tasks, and manual labor associated with this role, our analysis indicates a 48% likelihood of substitution by advanced robotics systems.

Personal & Financial Insights

Every occupation has a unique profile. For Broadcast Technicians, the Bureau of Labor Statistics and O*NET classify the day-to-day work broadly as: Set up, operate, and maintain the electronic equipment used to acquire, edit, and transmit audio and video for radio or television programs. Control and adjust incoming and outgoing broadcast signals to regulate sound volume, signal strength, and signal clarity. Operate satellite, microwave, or other transmitter equipment to broadcast radio or television programs.

Avg. Annual Salary $64,220
Avg. Hourly Wage $30.87
Available Jobs (US) 21,080
Job Title & Hierarchy Code (SOC) Broadcast Technicians #27-4012
Wage vs. National Median
ℹ️

Data is based on the reference occupation: “Broadcast Technicians”

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Core Skills & Abilities

  • Design and modify equipment to employer specifications.

  • Give technical directions to other personnel during filming.

  • Maintain programming logs as required by station management and the Federal Communications Commission.

  • Report equipment problems, ensure that repairs are made, and make emergency repairs to equipment when necessary and possible.

  • Preview scheduled programs to ensure that signals are functioning and programs are ready for transmission.

  • Observe monitors and converse with station personnel to determine audio and video levels and to ascertain that programs are airing.

  • Set up, operate, and maintain broadcast station computers and networks.

  • Control audio equipment to regulate volume and sound quality during radio and television broadcasts.

  • Determine the number, type, and approximate location of microphones needed for best sound recording or transmission quality, and position them appropriately.

  • Monitor and log transmitter readings.

  • Organize recording sessions and prepare areas, such as radio booths and television stations, for recording.

  • Edit broadcast material electronically, using computers.

  • Make commercial dubs.

  • Align antennae with receiving dishes to obtain the clearest signal for transmission of broadcasts from field locations.

  • Discuss production requirements with clients.

  • Select sources from which programming will be received or through which programming will be transmitted.

  • Substitute programs in cases where signals fail.

  • Develop employee work schedules.

  • Schedule programming or read television programming logs to determine which programs are to be recorded or aired.

  • Monitor strength, clarity, and reliability of incoming and outgoing signals, and adjust equipment as necessary to maintain quality broadcasts.

  • Prepare reports outlining past and future programs, including content.

  • Instruct trainees in use of television production equipment, filming of events, and copying and editing graphics or sound onto videotape.

  • Regulate the fidelity, brightness, and contrast of video transmissions, using video console control panels.

  • Set up and operate portable field transmission equipment outside the studio.

  • Install broadcast equipment, troubleshoot equipment problems, and perform maintenance or minor repairs, using hand tools.

  • Play and record broadcast programs, using automation systems.

  • Record sound onto tape or film for radio or television, checking its quality and making adjustments where necessary.

Technologies & Software

  • Avid Technology audio visual editing software
  • Midjourney
  • Nova (Amazon)
  • Microsoft Word
  • Adobe Firefly
  • Runway ML
  • Recraft
  • ElevenLabs
  • Kimi (Moonshot AI)
  • Claude (Anthropic)
  • Napkin AI
  • Adobe Premiere Pro
  • Adobe Illustrator
  • Microsoft Outlook
  • Microsoft Office software
  • UNIX
  • Adobe InDesign
  • Mistral (Mistral AI)
  • Sora (OpenAI)
  • Microsoft Excel
  • Udio
  • Word processing software
  • LoveArt AI
  • Adobe Photoshop
  • Adobe Audition
  • Cisco IOS
  • Autodesk AutoCAD
  • Qwen (Alibaba)
  • Suno AI
  • Microsoft Windows
  • Video encoder software
  • Linux
  • CapCut AI
  • Llama (Meta)
  • DALL-E 3 (OpenAI)
  • ChatGPT (OpenAI)
  • DeepSeek
  • Dassault Systemes CATIA
  • Microsoft PowerPoint
  • Gemini (Google)
  • Video decoder software
  • Gemini for Workspace
  • Character generator software
  • Grok (xAI)
  • Adobe After Effects
  • Perplexity AI
  • Email software
  • Apple Final Cut Pro
  • Video teleconferencing systems
  • Modulators
  • Sound effect generators
  • Digital video disk DVD recorders
  • Robotic studio cameras
  • Digital audio recorders
  • Vision mixers
  • Satellite vans
  • Waveform monitors
  • Master control switchers
  • Studio lighting
  • Audio patch bays
  • Disk storage systems
  • Vector scopes
  • Videotape machines
  • Network routers
  • Audio mixer consoles
  • Spectrum analyzers
  • Video editing equipment
  • Signal transmitters
  • Video patch bays
  • Satellite receivers
  • Laptop computers
  • Personal computers
  • Desktop computers
  • Video consoles
  • Video servers
  • Non-linear editing systems
  • Digital video cameras
  • Wired microphones
  • Frame synchronizers
  • Integrated receiver decoders IRD