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Automation Risk Analysis

Will “Television Audio Engineer” be Automated?

Historical Context: Oxford Study (2013)

Ranked #407 of 702. Estimated risk: 74.0%

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AI Exposure Risk

54%

“Television Audio Engineer” will maybe be replaced by AI.

Based on the cognitive demands, communication requirements, and logical reasoning intrinsic to this occupation according to O*NET data, we project a 54% probability of disruption by generative AI and Large Language Models.

Automation & Robot Risk

48%

“Television Audio Engineer” will probably not be replaced by robots.

Evaluating the physical dexterity, repetitive motion tasks, and manual labor associated with this role, our analysis indicates a 48% likelihood of substitution by advanced robotics systems.

Personal & Financial Insights

Every occupation has a unique profile. For Broadcast Technicians, the Bureau of Labor Statistics and O*NET classify the day-to-day work broadly as: Set up, operate, and maintain the electronic equipment used to acquire, edit, and transmit audio and video for radio or television programs. Control and adjust incoming and outgoing broadcast signals to regulate sound volume, signal strength, and signal clarity. Operate satellite, microwave, or other transmitter equipment to broadcast radio or television programs.

Avg. Annual Salary $64,220
Avg. Hourly Wage $30.87
Available Jobs (US) 21,080
Job Title & Hierarchy Code (SOC) Broadcast Technicians #27-4012
Wage vs. National Median
ℹ️

Data is based on the reference occupation: “Broadcast Technicians”

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Core Skills & Abilities

  • Align antennae with receiving dishes to obtain the clearest signal for transmission of broadcasts from field locations.

  • Organize recording sessions and prepare areas, such as radio booths and television stations, for recording.

  • Instruct trainees in use of television production equipment, filming of events, and copying and editing graphics or sound onto videotape.

  • Substitute programs in cases where signals fail.

  • Design and modify equipment to employer specifications.

  • Record sound onto tape or film for radio or television, checking its quality and making adjustments where necessary.

  • Install broadcast equipment, troubleshoot equipment problems, and perform maintenance or minor repairs, using hand tools.

  • Regulate the fidelity, brightness, and contrast of video transmissions, using video console control panels.

  • Monitor and log transmitter readings.

  • Control audio equipment to regulate volume and sound quality during radio and television broadcasts.

  • Set up, operate, and maintain broadcast station computers and networks.

  • Develop employee work schedules.

  • Edit broadcast material electronically, using computers.

  • Select sources from which programming will be received or through which programming will be transmitted.

  • Set up and operate portable field transmission equipment outside the studio.

  • Observe monitors and converse with station personnel to determine audio and video levels and to ascertain that programs are airing.

  • Monitor strength, clarity, and reliability of incoming and outgoing signals, and adjust equipment as necessary to maintain quality broadcasts.

  • Preview scheduled programs to ensure that signals are functioning and programs are ready for transmission.

  • Make commercial dubs.

  • Determine the number, type, and approximate location of microphones needed for best sound recording or transmission quality, and position them appropriately.

  • Report equipment problems, ensure that repairs are made, and make emergency repairs to equipment when necessary and possible.

  • Maintain programming logs as required by station management and the Federal Communications Commission.

  • Schedule programming or read television programming logs to determine which programs are to be recorded or aired.

  • Prepare reports outlining past and future programs, including content.

  • Give technical directions to other personnel during filming.

  • Play and record broadcast programs, using automation systems.

  • Discuss production requirements with clients.

Technologies & Software

  • Kimi (Moonshot AI)
  • Video encoder software
  • Claude (Anthropic)
  • UNIX
  • Perplexity AI
  • Character generator software
  • ChatGPT (OpenAI)
  • Adobe Illustrator
  • Email software
  • Linux
  • Midjourney
  • Gemini for Workspace
  • Udio
  • Adobe Firefly
  • Napkin AI
  • Llama (Meta)
  • Adobe InDesign
  • Microsoft Excel
  • Microsoft Word
  • Runway ML
  • Sora (OpenAI)
  • Microsoft Outlook
  • Suno AI
  • Recraft
  • Microsoft PowerPoint
  • Qwen (Alibaba)
  • Nova (Amazon)
  • Adobe Premiere Pro
  • Grok (xAI)
  • Word processing software
  • CapCut AI
  • Microsoft Office software
  • Apple Final Cut Pro
  • Microsoft Windows
  • Adobe Audition
  • Adobe After Effects
  • DALL-E 3 (OpenAI)
  • Autodesk AutoCAD
  • Video decoder software
  • LoveArt AI
  • DeepSeek
  • Gemini (Google)
  • Adobe Photoshop
  • Cisco IOS
  • Dassault Systemes CATIA
  • ElevenLabs
  • Avid Technology audio visual editing software
  • Mistral (Mistral AI)
  • Disk storage systems
  • Video editing equipment
  • Video patch bays
  • Spectrum analyzers
  • Video consoles
  • Studio lighting
  • Digital video cameras
  • Integrated receiver decoders IRD
  • Vector scopes
  • Laptop computers
  • Sound effect generators
  • Audio mixer consoles
  • Audio patch bays
  • Master control switchers
  • Desktop computers
  • Non-linear editing systems
  • Videotape machines
  • Video teleconferencing systems
  • Vision mixers
  • Video servers
  • Satellite vans
  • Network routers
  • Wired microphones
  • Digital video disk DVD recorders
  • Signal transmitters
  • Frame synchronizers
  • Satellite receivers
  • Modulators
  • Digital audio recorders
  • Waveform monitors
  • Robotic studio cameras
  • Personal computers